Creative direction, film, and photography for entrepreneurs, coaches, and creators. Built on 20 years in theater and film, 10 years on social media — and a genuine curiosity about the person on the other side of the camera.
Before I started making content for others, I spent more than 20 years as an actor on stages and film sets in Poland. I've been the one in the spotlight — the one with the stress of being watched, the one who has to show up with something real even when the camera is cold.
Later, I moved behind the camera. Directing, producing, shooting documentaries, running campaigns as an influencer, collaborating with major brands.
That's the part that changes how I work. When we sit down together, I'm not guessing what it feels like on your side. I know. And I know how to guide you through it so the camera captures something you're actually proud of.
Bye Bye Paraíso — feature film, Málaga 2026. I know what a director is asking for because I've been on the receiving end of the note.
Before I pick up a camera, I get to know you. The best material doesn't come from technique — it comes from people who feel seen. So we start as friends, and stay that way through the whole project. Open, curious, unhurried. The work gets better when the people on both sides trust each other.
I studied dramaturgy for two decades. I understand what makes someone stop scrolling in the first three seconds, what holds attention through a 40-second reel, what turns a two-minute brand film into something people remember. Every project starts with the story. Then we figure out what to film.
I treat every piece of content like a small film. Professional cameras, two drones, a traveling lighting kit, professional audio. I edit everything myself, often late into the night, because the difference between good and unforgettable is usually in the last 10%.
One day of shooting. One month of content.
Most of my clients don't want to think about content every week. They want to focus on their business, their patients, their students, their families — and still show up consistently online.
So we built this.
One intensive production day each month. We plan in advance, shoot everything we need, and walk away with a full month of material — reels, stills, long-form, captions, and the rollout schedule to back it all up.
You show up for one day. I handle the rest.
One production day. Content delivered in 10 days. No retainer. The easiest way to see if we're a fit before committing to a monthly engagement.
Book a Pilot Day →Everything in Monthly Content Day, plus: two production days each month, a monthly 60-min creative strategy call, a quarterly brand review, one lead magnet or freebie designed per quarter, and priority scheduling.
Upgrade to Signature →Full creative direction for launches, campaigns, brand films, and multi-market rollouts. For founders and brands who treat content as a strategic investment, not a line item.
Start a conversation →Short-form films built for the feed, cut for the stop-scroll. Drag the strip →
Content is the visible part. Underneath, there's usually a system — how people find you, what happens after they do, how they move from a first scroll to a real conversation.
When it makes sense, I help build that system too.
Coaches and holistic doctors. Fashion designers and film sets. Retreat leaders and permaculture communities. Actors, dancers, and influencers. Luxury real estate and automotive brands. Ecological projects that care about how their story is told.
The range is the point. Every project teaches me something that makes the next one better.
Every piece of content is treated like a small film. Professional cinema cameras. Two drones for different shooting conditions. A full traveling lighting setup. Professional audio. A color and edit pipeline built for detail.
Gear is the floor, not the ceiling. What makes the material feel like Luxuriance is the hours after the shoot — cutting, pacing, looking at every frame until it earns its place.
The best content comes from the best version of yourself. That's why I travel, meditate, and keep trying to see things clearly. Curiosity is the only thing I've found that reliably makes the work better — curiosity about people, about places, about the particular beauty hidden inside whatever I'm asked to film.
When I photograph you or direct you on camera, I'm looking for the same thing I'm looking for everywhere else: something real, something alive, something worth keeping.
A few recent projects. For the full portfolio, reach out directly.
Send me your Instagram handle and one line about what you're trying to build. I'll come back within 48 hours with three to five specific observations — what's working, what's missing, and one clear next step.
No pitch. Just useful feedback from someone who does this for a living.
Most of my client relationships run at least six months — that's usually when content starts to compound and real results show up. If you need a single reel, I'm not the right fit. If you want a creative director who treats your brand like their own project, let's talk.
Book a 30-minute call